| # | Title | Studio | Role | Leading Lady | Director | Notes |
|
| - 1961 - |
| 151 | The Challenge of Ideas | [1] | Himself | - | - | An anti-Communist propaganda short. w/ Jack Webb, Helen Hayes, Chet Huntley. |
| 152 | The Comancheros | 20th | Jake Cutter | Ina Balin | Michael Curtiz | w/ Stuart Whitman, Lee Marvin, Bruce Cabot, Patrick Wayne, Lee Marvin. Filmed in CinemaScope and Deluxe color. The last film directed by Curtiz.[2] |
|
| - 1962 - |
| 153 | The Man Who Shot Liberty Valance | Par | Tom Doniphon | Vera Miles | John Ford | w/ James Stewart[3], Lee Marvin, Woody Strode, Andy Devine. |
| 154 | Hatari! | Par | Sean Mercer | Elsa Martinelli | Howard Hawks | w/ Red Buttons, Hardy Kruger, Bruce Cabot. Filmed in Technicolor on location in Tanganyika. |
| 155 | The Longest Day | 20th | Lt.Col. Benjamin Vandervoort | - | Ken Annakin | Wayne was part of an all-star cast in this epic retelling of the D-Day invasion of June 6, 1944. Filmed in black and white and CinemaScope. |
| Andrew Marton |
| Bernard Wicki |
| Darryl F. Zanuck |
| Gerd Oswald |
| 156 | How the West Was Won | MGM | Gen. William Tecumseh Sherman[4] | - | John Ford | Another all-star epic. Wayne appeared in the Civil War sequence directed by Ford. Also appearing in this sequence were George Peppard, Russ Tamblyn, and Harry Morgan (as Ulysses S. Grant). Filmed in Technicolor[5] and Cinerama. |
| Henry Hathaway |
| George Marshall |
|
| - 1963 - |
| 157 | Donovan's Reef | Par | Michael Patrick Donovan | Elizabeth Allen | John Ford | w/ Lee Marvin, Jack Warden, Cesar Romero. Filmed in Technicolor on location in Kauai, Hawaii. Wayne's last film with director John Ford.[6] |
| 158 | McLintock! | Batjac | George Washington McLintock | Maureen O'Hara | Andrew V. McLaglen | w/ Patrick Wayne, Stephanie Powers, Bruce Cabot, Yvonne de Carlo. A big favorite with Wayne fans. His first film with director McLaglen. Filmed in Panavision and Technicolor. |
| UA |
|
| - 1964 - |
| 159 | Circus World (US title) | SB | Matt Masters | Claudia Cardinale | Henry Hathaway | w/ Lloyd Nolan, Richard Conte, John Smith. Filmed in 70mm Super Technirama and Technicolor. Originally presented in Cinerama. |
| The Magnificent Showman (GB title) | UA | Rita Hayworth |
|
| - 1965 - |
| 160 | The Greatest Story Ever Told | UA | The Centurion (Longinus) | - | George Stevens | Director Stevens's large-scale telling of the life of Jesus Christ (played by Max Von Sydow) with an all-star supporting cast. Wayne has a brief bit as the Roman centurion who leads Christ to his crucifixion. |
| 161 | In Harm's Way | Sig | Capt. Rockwell Torrey | Patricia Neal | Otto Preminger | w/ Kirk Douglas, Tom Tryon, Paula Prentiss, Burgess Meredith, Brandon de Wilde, Henry Fonda. Filmed in Panavision. Wayne's last film in black and white. |
| Par |
| 162 | The Sons of Katie Elder | Par | John Elder | Martha Hyer | Henry Hathaway | w/ Dean Martin, Earl Holliman. Filmed in Panavision and Technicolor on location near Durango, Mexico. |
|
| - 1966 - |
| 163 | Cast a Giant Shadow | Batjac | Gen. Mike Randolph | - | Melville Shavelson | w/ Kirk Douglas, Senta Berger. Wayne, Yul Brynner, and Frank Sinatra did guest star appearances in the biopic of Col. David "Mickey" Marcus (Douglas). Filmed in Technicolor. |
| UA |
|
| - 1967 - |
| 164 | A Nation Builds Under Fire | U.S. Department of Defense/Armed Forces Information & Education | Himself | - | Harry Middleton | A documentary short dealing with Vietnam. |
| 165 | The War Wagon | Batjac | Taw Jackson | - | Burt Kennedy | w/ Kirk Douglas, Howard Keel, Robert Walker, Jr.[7], Bruce Cabot. Filmed in Panavision andTechnicolor on location in Durango, Mexico. |
| UA |
| 166 | El Dorado | Par | Cole Thornton | Charlene Holt | Howard Hawks | w/ Robert Mitchum, James Caan, Arthur Hunnicutt, Edward Asner. Filmed in Technicolor on location in Arizona. Filmed before, but released after, The War Wagon. |
| Michele Carey |
|
| - 1968 - |
| 167 | The Green Berets | Batjac | Col. Mike Kirby | [8] | John Wayne | w/ David Janssen, Jim Hutton, Aldo Ray, Bruce Cabot, George Takei. Wayne's controversial take on the Vietnam war. Filmed in Panavision and Technicolor on location at Fort Benning, Georgia. Co-directed by an uncredited Mervyn LeRoy, but credit given instead to Ray Kellogg. |
| WB | Ray Kellogg |
| 168 | Hellfighters | Uni | Chance Buckman | Katharine Ross | Andrew V. McLaglen | w/ Jim Hutton, Bruce Cabot, Jay C. Flippen. Wayne's character was based on real-life "hellfighter" Red Adair. Filmed in Panavision and Technicolor. |
| Vera Miles |
|
| - 1969 - |
| 169 | True Grit | Par | U.S. Marshal Reuben J. "Rooster" Cogburn | Kim Darby | Henry Hathaway | w/ Glen Campbell, Jeremy Slate, Robert Duvall, Strother Martin, Jeff Corey. Wayne's Academy Award winning performance and his last film with Hathaway. Filmed in Technicolor. |
| 170 | The Undefeated | 20th | Col. John Henry Thomas | - | Andrew V. McLaglen | w/ Rock Hudson, Roman Gabriel, Lee Meriwether. Filmed in Panavision and Deluxe color. |
|
| - 1970 - |
| 171 | No Substitute for Victory | AK | Narrator | - | Robert F. Slatzer | A short in support of America's involvement in the Vietnam War. w/ General Mark Clark, Martha Raye, Sam Yorty, General William Westmoreland, and Lowell Thomas. |
| 172 | Chisum | Batjac | John Chisum | Pamela McMyler | Andrew V. McLaglen | w/ Forrest Tucker, Christopher George, Bruce Cabot, Patric Knowles, Geoffrey Deuel (as Billy the Kid), Glenn Corbett (as Pat Garrett). Filmed in Panavision and Technicolor. |
| WB |
| 173 | Rio Lobo | Par | Cord McNally | Jennifer O'Neill | Howard Hawks | w/ Jorge Rivero, Jack Elam, Chris Mitchum, Sherry Lansing, George Plimpton.[9] Wayne's last film with Hawks. Filmed in Technicolor. |
|
| - 1971 - |
| 174 | Big Jake | Batjac | Jacob McCandles | Maureen O'Hara | George Sherman | w/ Richard Boone, Patrick Wayne, Chris Mitchum, Bruce Cabot. Filmed in Panavision and Technicolor. |
| Par |
| 175 | Directed by John Ford | AFI | Himself | - | Peter Bogdanovich | A documentary about Ford, narrated by Orson Welles. |
|
| - 1972 - |
| 176 | The Cowboys | WB | Wil Andersen | Sarah Cunningham | Mark Rydell | w/ Roscoe Lee Browne, Bruce Dern, Colleen Dewhurst. Filmed in Panavision 70 and Technicolor. Later a TV series. |
| 177 | Cancel My Reservation | WB | Himself | - | Paul Bogart | Wayne, Bing Crosby, Johnny Carson, and Flip Wilson made brief, unbilled cameo appearances in this Bob Hope comedy. Filmed in Technicolor. |
|
| - 1973 - |
| 178 | The Train Robbers | Batjac | Lane | Ann-Margret | Burt Kennedy | w/ Rod Taylor, Ben Johnson, Christopher George, Ricardo Montalban. Filmed in Panavision and Technicolor. |
| WB |
| 179 | Cahill, United States Marshal (US title) | Batjac | J.D. Cahill | Marie Windsor | Andrew V. McLaglen | w/ George Kennedy, Gary Grimes, Neville Brand, Clay O'Brien. Filmed in Panavision and Technicolor. |
| Cahill (GB title) | WB |
|
| - 1974 - |
| 180 | McQ | Batjac | Det. Lt. Lon McQ | Diana Muldaur | John Sturges | w/ Eddie Albert, Clu Gulager. Filmed in Panavision and Technicolor. The first of Wayne's two cop films made in the wake of Clint Eastwood's success with Dirty Harry (1971). |
| L-G | Colleen Dewhurst |
| WB | Julie Adams |
|
| - 1975 - |
| 181 | Brannigan | UA | Brannigan | Judy Geeson | Douglas Hickox | w/ Richard Attenborough, Mel Ferrer. Filmed in Panavision and Deluxe colour on location in London. |
| 182 | Rooster Cogburn | Uni | Marshal Reuben J. 'Rooster' Cogburn[10] | Katharine Hepburn | Stuart Millar | w/ Anthony Zerbe, Richard Jordan, John McIntire, Strother Martin. Filmed in Panavision and Technicolor on location in Oregon. |
|
| - 1976 - |
| 183 | Chesty: Tribute to a Legend | - | Himself | - | John Ford | A tribute documentary on the most decorated U.S. Marine, Gen. Lewis B. "Chesty" Puller. Completed in 1970, but not released until 1976, three years after Ford's death. |
| 184 | The Shootist | DDL | John Bernard Books | Lauren Bacall | Don Siegel | w/ Ron Howard, James Stewart, John Carradine, Hugh O'Brian, Harry Morgan, Richard Boone. Filmed in Technicolor. |
| PA | Sheree North |